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Browse Category > Photography > A Vision of Splendour
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A Vision of Splendour
Indian Heritage in the Photographs of Jean Philippe Vogel, 1901–1913

by Gerda Theuns-de Boer

Vogel’s contribution to early 20th-century archaeology, including photo documentation and prints.
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Category: Archaelogy, Culture, Photography
Tags: Photography, heritage, archaeology
 
IN STOCK
280 x 240 mm | 11 x 9.5 in
Hardcover | 192 pages
150 colour illustrations
ISBN:
978-81-89995-02-7 (Mapin)
978-0-944142-74-5 (Grantha)?
 
PRICE:
Rs.2,000.00  | $65.00  | £42.00  | €40.00
 
 
 
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Table of contents  |  Sample Pages  |  Reviews
Table of contents

 

Introduction
 
The Kern Institute Photographic Collections
 
On the Threshold of Renewal: A Reorganized Archaeological Survey
 
Lahore: Life as a Surveyor
 
A Delightful Burden: Heritage Care in a New Age
 
The Art of Fieldwork
 
Archaeological Heritage in the Museum: To Interest the Uninformed and
Inform the Interested
 
All in the Family? On Britishers, Europeans and the Indianization of the Survey
 
Epilogue
 
Chronology

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Selected Images
 

Description

In January 1901, the Dutch Sanskritist Jean Philippe Vogel (1871–1958) entered the Archaeological Survey of India to direct the activities for the Panjab, Baluchistan and Ajmir Circle—later amalgamated into the Panjab and United Provinces Circle. An interesting period, as the survey stood on the threshold of renewal. Jean Philippe Vogel proved, by personality and scholarship, the right man to assist in realizing the gradual professionalization of Indian archaeology.

This book highlights Vogel’s contribution to early 20th-century archaeology, including an introductory retrospect study on 19th-century Indian archaeology. It provides extensive photographic documentation, prints dating from 1870 to 1920, presented in their art and photo-historical context. It discusses Vogel’s visionary ideas in the field of preservation and restoration, research and care for museum collections. Vogel’s diaries and letters are valuable resources that allow for an interesting conclusion on social relations within the so-called “archaeological family”, picturing the Dutch citizen Vogel moving around in India’s colonial society, discussing his thoughts on both “Englishmen” and “natives”. With special references to Vogel’s explorations and excavations in Gandhara, The Punjab Hill States (Chamba), Kasia (Kusinagara), Saheth-Maheth (Sravasti) and Mathura; it also includes a chronology on Vogel’s archaeological activities.

 
About the Author
Gerda Theuns-de Boer
studied at Utrecht University, Department of Indian and Iranian Languages and Cultures, specializing in art and archaeology of South and Southeast Asia. Since 1999 she has focused on art and archaeology photography. She is the manager of the photo collection of the Department of Languages and Cultures of India and her articles have been published in several books and journals.

 
 

Praise

"A meticulously produced work of colonial and photographic history."

The Telegraph
 

 

THIS BOOK

Imprint: Mapin

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